Semiotic Analysis of a Poster about Violence against Women Violence

Özgül Dağlı 1 *, Elçin Hacıbektaşoğlu 2
More Detail
1 Üsküdar University, İstanbul, Turkey
2 İstanbul, Turkey
* Corresponding Author
Online Journal of Communication and Media Technologies, Volume 5, Issue December 2015 - Special Issue, pp. 102-111. https://doi.org/10.30935/ojcmt/5677
OPEN ACCESS   1729 Views   2717 Downloads   Published online: 01 Dec 2015
Download Full Text (PDF)

ABSTRACT

Semiology can be defined as the study of signs. As a method it can be applied to all sorts of human endeavours, such as cinema, theatre, dance, architecture, painting, politics, medicine, history, and religion. Saussure developed the principles of semiology as they applied to language; Barthes extended these ideas to messages (word-and-image relations) of all sorts. The mainstream semiology has offered a method for unravelling how the visuals and the texts of the posters work together to convey meaning, and how those meanings are connected to larger debates about modern life. As known, posters are quite complex systems in which different substances are engaged. But the semiologic analysis method can be applicable to every sort of human product. In this study researcher analysing a poster related to the violence against women. This poster is a special one, because it’s rewarded by United Nations.
Keywords: poster, semiology, semiologic analysis

CITATION

Dağlı, Ö., & Hacıbektaşoğlu, E. (2015). Semiotic Analysis of a Poster about Violence against Women Violence. Online Journal of Communication and Media Technologies, 5(December 2015 - Special Issue), 102-111. https://doi.org/10.30935/ojcmt/5677

REFERENCES

  • Akerson, E. (2005). Göstergebilime Giriş. İstanbul: Multilingual Yayınları.
  • Barthes, R. (1996). Göstergebilim İlkeleri. Çev: Mehmet – Sema Rıfat. İstanbul: Sözce Yayınları.
  • Kılıçoğlu S. ve Araz, N. (yayına hazırlayanlar). (1973). Büyük Larousse. Vol. 1: 124, 125
  • Ertep, H. (2007). Gündelik Yaşamımızın Ucundan Tutunan Bir Tasarım Nesnesi: Afiş. Grafik Tasarım Dergisi. October, Isue 13, p. 80-84
  • Fiske, John. 1996. İletisim Çalısmalarına Giriş. Çev.: Süleyman İrvan. Ankara: Ark Yayınları.
  • Greimas, A.J. (1995). Kusur Kousunda. Çev: Kıran, A. İstanbul: Yapı Kredi Yayınları.
  • Kaptan, A. Y. (1996). Afişte İllüstrasyonun Yeri ve Önemi. Yayımlanmammış Yüksek Lisans Tezi. Samsun: Ondokuz Mayıs Üniversitesi.
  • Özer, Z. ve İmançer, D.(1999). Göstergebilimsel Çözümleme. SineMasal Dergisi. Bahar, p. 7-20
  • Parsa, A. F. (2008). Mutluluk Paradoksu Greimas’ın Eyleyensel Örnekçesiyle. İstanbul: Multilingual Yayınları.
  • Parsa, S. ve Parsa, A. F. (2004). Göstergebilim Çözümlemeleri. İzmir: Ege Üniversitesi Basımevi.
  • Rifat, M. (1996). Göstergebilimcinin Kitabı. İstanbul: Düzlem Yayınları.
  • Rifat, M. (1992). Göstergebilimin ABC’si. İstanbul: Simavi Yayınları.
  • Saussure, d. F. (1998). Genel Dilbilim Dersleri. Çev.: Berke Vardar. Multilingual.
  • Vardar, B. (1988). Açıklamalı Dilbilim Terimleri Sözlüğü, ABC Yay., İstanbul.
  • Barthes, R. (1996). "The Rhetoric of the Image." In his book Image-Music-Text, trans. S. Heath. 1964; rpt. London: Wm. Collins Sons and Co., pp. 32-51. Inside Seiler, R.M. Semiology//Semiotics. http://people.ucalgary.ca/~rseiler/semiolog.htm. (access date: 01.03.2015).
  • Dervişcemal, B. Göstergebilim. http://www.ege-edebiyat.org/docs/493.pdf (access date: 01.03.2015).
  • Gümüş and Şahin. http://dergi.mo.org.tr/dergiler/4/453/9359.pdf (access date: 01.03.2015).
  • Halldin, O. The History of Posters. http://www.kb.se/docs/collections/history-posters.pdf (access date: 01.15.2015).
  • Luba Lukova. http://www.posterposter.org/social-poster-design-advice/ (access date: 01.26.2015).
  • Michael Thompson. http://www.flickr.com/photos/freestylee (access date: 01.026.2015).
  • Pekka Loiri. http://www.posterposter.org/social-poster-design-advice/ (access date: 01.26.2015).
  • (http://sozce.nedir.com/)